Polytonality |
Music Terms

Polytonality |

Zvikamu zveduramazwi
mazwi uye pfungwa

kubva muchiGiriki polus - akawanda uye tonality

Rudzi rwakakosha rwekuratidzwa kwetoni, inoumbwa (asi yakabatana) sisitimu yehukama, inoshandiswa zvakanyanya. munziyo dzemazuva ano. P. - "kwete huwandu hwemakiyi akati wandei ... asi maitiro avo akaomarara, achipa hutsva modal mhando - modal system yakavakirwa pa polytonicity" (Yu. I. Paisov). P. inogona kutora chimiro chekubatanidza multi-tonal chords (chord P.), multi-tonal melodic. mitsetse (melodic. P.) uye kubatanidza chords uye melodic. mitsara (yakasanganiswa P.). Nechekunze, P. dzimwe nguva inoratidzika seyakakwirira yezvimiro zvinosiyana-siyana pamusoro peumwe neumwe (ona muenzaniso uri pasi apa).

P., sekutonga, ine nzvimbo imwe chete ("politonic", maererano naPaisov), iyo, zvisinei, haisi monolithic (sezvinowanikwa mukiyi), asi yakawanda, polyharmonically stratified (ona Polyharmony). Zvikamu zvaro ("subtonic", maererano naPaisov) zvinoshandiswa se tonics e nyore, diatonic keys (muzviitiko zvakadaro, P. i "pseudochromatic" yose, maererano neVG Karatygin; ona Polyladovost).

Polytonality |

SS Prokofiev. "Sarcasms", Nha 3.

Hwaro hwese hwekubuda kweP. ndeye yakaoma (dissonant uye chromatic) modal chimiro, umo iyo tertian chimiro chechords inogona kuchengetedzwa (kunyanya pamwero we subchords). Muenzaniso wepolytonic kubva kuProkofiev's "Sarcasms" - iyo polychord b - des (cis) - f - ges (fis) - a - inzvimbo imwechete yakaoma yehurongwa, uye kwete maviri akareruka, mairi, ehe, isu tinoora. iyo (mitatu b-moll uye fis-moll); saka, sisitimu yacho yese haidzikisirwe kana kune imwechete kiyi (b-moll), kana kuhuwandu hwemaviri (b-moll + fis-moll). (Sezvo chero organic yese isina kuenzana nehuwandu hwezvikamu zvayo, consonance ye-multi-tonal substructures inosanganiswa mune macrosystem isingagone kuderedzwa kusvika panguva imwe chete makiyi maviri kana akati wandei: "synthesis panguva yekuteerera", manzwi epolytonal. "Vakaiswa mune imwe kiyi inotonga" - MuV. Asafiev, 1925; saizvozvo, macrosystem yakadaro haifanirwe kudanwa nezita reimwe yekare monotonality, zvakanyanya nemazita maviri kana akati wandei ekare monotonities, semuenzaniso, haigone. taura kuti mutambo waProkofiev - ona muenzaniso wemimhanzi - wakanyorwa mu b-moll.)

Inoenderana nepfungwa yeP. ndiyo pfungwa dzepolymode, polychord, polyharmony (musiyano uripo pakati pawo wakafanana nepakati pepfungwa dzinokosha: tonality, mode, chord, kuwirirana). Mucherechedzo mukuru unoratidza kuvapo kweP. chaiyo panguva imwe chete. deployment diff. makiyi, mamiriro acho ndeokuti mumwe nemumwe wavo anomiririrwa kwete nekonzonenzi imwe (kana figuration pasina harmonic shanduko), asi nekunyatso kunzwika kunoshanda kutevera (G. Erpf, 1927; Paisov, 1971).

Kazhinji pfungwa dze "poly-mode", "poly-chord" uye "polyharmony" dzakasanganiswa zvisirizvo neP. Chikonzero chekusanganisa pfungwa dzepoly-mode kana poly-chord neP. kazhinji inopa dzidziso isiriyo. dudziro yedata rekuona: eg chikuru matauriro echodhi anotorwa semukuru. iyo toni (tonic) yekiyi kana, semuenzaniso, kusanganiswa kweC-dur uye Fis-dur sechords (ona dingindira rePetrushka kubva mubhareti yezita rimwechete naIF Stravinsky, muenzaniso wemumhanzi pamutsetse 329) inotorwa semusanganiswa weC-dur naFis- dur sekiyi (kureva kuti chords inodudzwa zvisirizvo nezwi rokuti “tonality”; kukanganisa uku kunoitwa, semuenzaniso, naD. Millau, 1923). Naizvozvo, mizhinji yemienzaniso yaP. inopiwa muzvinyorwa hainyatsoimiriri. Kubviswa kwemaharmonics akaturikidzana kubva kune yakaoma tonal mamiriro anopa zvakafanana (zvisizvo) mhedzisiro sekubvisa kuwirirana kwemanzwi ega ega mune fugue kubva kune yakapusa tonal mamiriro (semuenzaniso, bass mune b-moll fugue stretta naBach, Iyo Well- Hasha Clavier, 2nd vhoriyamu, mabara 33 -37 angave ari muLocrian mode).

Iwo prototypes emapolystructures (P.) anogona kuonekwa mune mamwe masampuli e nar. mimhanzi (eg sutartines). MuEuropean polyphony ndiyo yekutanga preform yeP. - modal maviri-layered (Quarter yekupedzisira ye13th - yekutanga Quarter ye15th century) ine hunhu "Gothic cadence" yerudzi:

cis - d gis - ae - d (ona Cadence).

Glarean muDodecachord (1547) yakabvuma panguva imwe chete. kusanganiswa kunoratidzwa nemazwi akasiyana akasiyana. frets. Muenzaniso unozivikanwa weP. (1544) - "kutamba kwechiJudha" naX. Neusiedler (mubhuku "Denkmäler der Tonkunst mu Österreich", Bd 37) - chaizvoizvo haimiriri P., asi polyscale. Nhoroondo, yekutanga "polytonally" yakanyorwa yenhema polychord iri mukupedzisa. mabhawa e "A Musical Joke" naWA ​​Mozart (K..-V. 522, 1787):

Polytonality |

Dzimwe nguva, zviitiko zvinoonekwa seP. zvinowanikwa mumimhanzi yezana ramakore rechi 19. (MP Mussorgsky, Mifananidzo paChiratidziro, “VaJudha Vaviri”; NA Rimsky-Korsakov, mutsauko wechigumi nenhanhatu kubva ku“Paraphrase” – padingindira rakarongwa naAP Borodin). Chiitiko chinonzi P. chimiro chemimhanzi yezana remakore rechi16. (P. Hindemith, B. Bartok, M. Ravel, A. Honegger, D. Milhaud, C. Ive, IF Stravinsky, SS Prokofiev, DD Shostakovich, K. Shimanovsky, B. Lutoslavsky uye nezvimwewo).

References: Karatygin V. G., Richard Strauss uye "Electra" yake, "Kutaura", 1913, No 49; yake pachake, "The Rite of Spring", ibid., 1914, Nha. 46; Milo D., tsananguro shoma, "Kunanga New Shores", 1923, No 1; yake, Polytonality uye atonality, ibid., 1923, No 3; Belyaev V., Mechanics kana Logic?, ibid.; yake, Igor Stravinsky's "Les Noces", L., 1928 (abbr. Musiyano weRussia mued.: Belyaev V. M., Mussorgsky. Scriabin. Stravinsky, M., 1972); Asafiev B. AT. (Ig. Glebov), Pa polytonality, Modern Music, 1925, No 7; yake, Hindemith naCasella, Modern Music, 1925, No 11; yake pachake, Sumo mubhuku: Casella A., polytonality uye atonality, trans. kubva kuItaly, L., 1926; Tyulin Yu. N., Kudzidzisa pamusoro petsinhirano, M.-L., 1937, M., 1966; yake pachake, Thoughts on Modern Harmony, “SM”, 1962, No 10; yake, Modern Harmony and Its Historical Origin, mu: Questions of Contemporary Music, 1963, mu: Theoretical Problems of Music of the 1967th Century, M., 1971; yake, Yakasikwa uye nzira dzekuchinja, M., XNUMX; Ogolevets A. S., Zvinokosha zvemutauro weharonic, M.-L., 1941, p. 44-58; Skrebkov S., On Modern Harmony, "SM", 1957, No 6; zvake, Mhinduro V. Berkov, ibid., Kwete. 10; Berkov V., Zvimwe nezve polytonality. (Nezvenyaya yakanyorwa naS. Skrebkova), ibid., 1957, Nha. 10; ego, Kupokana hakuna kupera, ibid., 1958, No 1; Blok V., Matauriro akati wandei pane polytonal kuwirirana, ibid., 1958, No 4; Zolochevsky B. N., Nezve polyladotonality muUkraine Soviet mimhanzi uye vanhu masosi, "Folk Art uye Ethnography", 1963. Muchinda. 3; zvake, Modulation uye polytonality, muunganidzwa: Ukrainian Musical Studies. Vol. 4, Kipv, 1969; yake pachake, About modulation, Kipv, 1972, p. 96-110; Koptev S., Panhoroondo yemubvunzo wepolytonality, mu: Theoretical matambudziko emimhanzi yezana remakore reXX, chinyorwa 1, M., 1967; yake, On the Phenomena of Polytonality, Polytonality and Polytonality in Folk Art, muna Sat: Matambudziko eLada, M., 1972; Kholopov Yu. N., Zvimiro zvemazuva ano zvekubatana kwaProkofiev, M., 1967; yake pachake, Essays on Modern Harmony, M., 1974; Yusfin A. G., Polytonality in Lithuanian folk music, "Studia musicologica Academiae scientiarum Hungaricae", 1968, t. gumi; Antanavichyus Yu., Analogies yemisimboti uye mafomu ehunyanzvi polyphony mu sutartin, "Folk Art", Vilnius, 10, No 1969; Diachkova L. S., Polytonality mubasa raStravinsky, mu: Mibvunzo yeMumhanzi Theory, vol. 2, Moscow, 1970; Kiseleva E., Polyharmony uye polytonality mubasa raC. Prokofiev, mu: Mibvunzo yeMumhanzi Theory, vol. 2, M., 1970; Raiso V. Yu., Zvakare nezve polytonality, "SM" 1971, No 4; zvake, Matambudziko epolytonal kuwirirana, 1974 (diss); yake, Polytonality uye chimiro chemimhanzi, muna Sat: Mimhanzi uye Mazuva ano, vol. 10, M., 1976; yake, Polytonality mubasa reSoviet uye vatorwa vanyori vezana remakore rechi1977, M., XNUMX; Vyantskus A., Theoretical nheyo dzepolyscale uye polytonality, mu: Menotyra, vol. 1, Vilnius, 1967; ake, Mhando nhatu dzepolytonality, "SM", 1972, No 3; zvake, Ladovye formations. Polymodality uye polytonality, mu: Matambudziko eMumhanzi Sayenzi, vol. 2, Moscow, 1973; Khanbekyan A., Folk diatonic uye basa rayo mu polytonality yeA. Khachaturian, mu: Music and Modernity, vol. 8, M., 1974; Deroux J., Polytonal Music, “RM”, 1921; Koechlin M. Ch., Kushanduka kwekuwirirana. Contemporary period…, в кн.: Encyclopedia yemimhanzi uye duramazwi reConservatory, muvambi A. Lavignac, (v. 6), p. 2 p., 1925; Erpf H., zvidzidzo zvekubatana uye tekinoroji yemimhanzi yemazuva ano, Lpz., 1927; Mersmann H., The Tonal Language of New Music, Mainz, 1928; его же, dzidziso yemimhanzi, В., (1930); Terpander, Basa rePolytonality mumimhanzi yemazuva ano, The Musical Times, 1930, Dec; Machabey A., Dissonance, polytonalitй et atonalitй, «RM», 1931, v. 12; Nь E. v. d., Modern Harmony, Lpz., 1932; Hindemith P., Murayiridzo mukuumbwa, (Tl 1), Mainz, 1937; Pruvost Вrudent, De la polytonalitй, «Courier musicale», 1939, No 9; Sikorski K., Harmonie, cz. 3, (Kr., 1949); Wellek A., Atonality uye polytonality - an obituary, "Musikleben", 1949, vol. 2, H. 4; Klein R., Zur Definition der Bitonalitдt, «ЦMz», 1951, No 11-12; Boulez P., Stravinsky demeure, в сб.: Musique russe, P., 1953; Searle H., nzvimbo yezana ramakore rechimakumi maviri, L., 1955; Karthaus W., The System of Music, V., 1962; Ulehla L., Contemporary kuwirirana, N. Y., 1966; Lind B.

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