Ancient Greek frets |
Music Terms

Ancient Greek frets |

Zvikamu zveduramazwi
mazwi uye pfungwa

Ancient Greek modes ndiwo masisitimu emelodic modhi mumimhanzi yeGreece yekare, iyo yaisaziva polyphony mupfungwa yemazuva ano. Hwaro hweiyo modal system yaive tetrachords (pakutanga ichidzika chete). Zvichienderana nepakati pekuumbwa kwematetrachords, maGiriki akasiyanisa 3 moods, kana genera (genn): diatonic, chromatic uye enharmonic (misiyano inoratidzwa nezvimwe zviri nyore):

Uyezve, diatonic. tetrachords yaive nemhando nhatu, dzakasiyana munzvimbo yemasekonzi makuru uye madiki:

Kushungurudzika kuumbwa kweiyo yepamusoro kwakamuka sekusanganiswa kwe tetrachords. Paive nemisimboti miviri yekubatana: "yakasanganiswa" (synapn) nekusangana kwekurira kwepedyo mumatetrachords (semuenzaniso, d1-c1 - h - a, a - g - f - e) uye "kuparadzanisa" (diasenxis), pamwe. manzwi api ari pedyo akaparadzaniswa nenzwi rose (somuenzaniso, e1 – d1 – c1 – h, a – g – f – e). Iyo inonyanya kukosha yekubatana kwe tetrachords ndeye octave modes (iyo inonzi "mhando dze octaves" kana armoniai - "harmonies"). Main frets aionekwa seDorian, Phrygian naLydian, to-rye akaumbwa nekubatanidza matsamba maviri. tetrachords yakafanana muchimiro; Mixolydian (“Mixed-Lydian”) yakadudzirwa semusanganiswa wakakosha weLydian tetrachords.

Side - hypolades yakagadzirwa kubva kune makuru nekugadzirisa zvakare tetrachords nekuwedzera chiyero kune octave (mazita eGreek modes haaenderane neakazotevera eEurope). Scheme yemanomwe octave modhi:

Maonero akazara emamwe maGiriki. iyo modal system inowanzomiririra sustnma teleion - "yakakwana (kureva yakakwana) system". Pazasi pane izvo zvinonzi. "Fixed" (kana kuti "isina-modulating") system - ametabolon:

Matanho ezita anobva panzvimbo yekutorwa kwezwi rakapihwa patambo. cithara chiridzwa. Kuzivikanwa kwemazita ematanho mukati meoctave (semuenzaniso, vntn inoshanda kune ese a1 uye e1) inoratidza tetrachordal (uye kwete octave) musimboti we ext. chimiro chehurongwa. Dr. yakasiyana-siyana yegadziriro yakakwana - metabolon inoratidzirwa nekuiswa kwe "retractable" tetrachord synnmmenon (lit. - yakabatana) dl - c1 - b - a, kuwedzera huwandu hwehurongwa.

Apo iyo yakakwana system yakaendeswa kune mamwe matanho, anonzi. transpositional scales, nerubatsiro rwezvaikwanisika kuwana mukati memhando imwechete (lyre, cithara) dec. modal scales (tonoi - keys).

Frets uye genera (pamwe nerhythms) zvakanzi nemaGiriki humwe hunhu ("ethos"). Saka, maitiro eDorian (mapenzi - rimwe remadzinza echiGreece) aionekwa seakasimba, ane ushingi, ane tsika yakakosha zvikuru; Phrygian (Phrygia neLydia - matunhu eAsia Minor) - anofara, ane shungu, Bacchic:

Kushandiswa kwechromatic uye anharmonic. genera inosiyanisa mimhanzi yechiGiriki kubva gare gare yeEurope. Diatonism, iyo inotonga mune yekupedzisira, yaive pakati pevaGiriki, kunyangwe yakanyanya kukosha, asi ichingori imwe chete yematatu modal tonations. mativi. Pfuma yezvinoita melodic. izwi rakaratidzwawo mumhando dzakasiyana-siyana dzemamoods, kuiswa kwe "mavara" emarudzi (xpoai), ayo akanga asina kugadziriswa semafungiro anokosha.

ChiGiriki hurongwa hwemamodhi hwakashanduka kare. Iyo yekare frets yekare. Girisi, sezviri pachena, yakabatanidzwa nepentatonic scale, iyo yairatidzwa mukugadzirisa kwechinyakare. tambo. zvishandiso. Iyo sisitimu yemamodhi uye zvimiro zvakaumbwa pahwaro hwe tetrachords yakagadziridzwa munzira yekuwedzera modal renji.

References: Plato, Zvematongerwo enyika kana Nyika, Op., Chikamu III, trans. kubva muchiGiriki, vol. 3, St. Petersburg, 1863, § 398, p. 164-67; Aristotle, Zvematongerwo enyika, trans. kubva muchiGiriki, M., 1911, bhuku. VIII, ch. 7, p. 372-77; Plutarch, PaMumhanzi, trans. kubva muchiGiriki, P., 1922; Asingazivikanwe, Nhanganyaya yeharmonica, Matauriro ekutanga, kushandura uye kutsanangura, zvinyorwa naGA Ivanov, "Philological Review", 1894, vol. VII, bhuku. 1-2; Petr BI, Pazvinyorwa, zvimiro uye modhi mumimhanzi yekare yechiGiriki, K., 1901; Vafungi vekare nezve art, comp. Asmus BF, M., 1937; Gruber RI, Nhoroondo yemimhanzi tsika, vol. 1, chikamu 1, M.-L., 1941; Ancient musical aesthetics. Enter. rondedzero uye muunganidzwa wezvinyorwa naAF Losev. Nhanganyaya uye general ed. VP Shestakova, M., 1960; Gertsman EB, Maonero enzvimbo dzakasiyana-siyana dzenzwi mukufunga kwemimhanzi yekare, "Bulletin of Ancient History", 1971, No 4; Bellermann, F., Die Tonleitern und Musiknoten der Griechen, B., 1847; Westphal R., Harmonik und Melopüe der Griechen, Lpz., 1864; Gevaert fr. A., Histoire et théorie de la musique de l'antiquité, v. 1-2, Gand, 1875-81; Riemann H., Katechismus der Musikgeschichte, Bd 1, Lpz., 1888; pyc. trans., M., 1896; Monro DB, Maitiro emimhanzi yekare yechiGiriki, Oxf., 1894; Abert H., Die Lehre vom Ethos in der griechischen Musik, Lpz., 1899; Sachs C., Die Musik der Antike, Potsdam, 1928; pyc. pa. otd. zvitsauko pasi pemusoro. "Musical-theory maonero uye zviridzwa zvevaGiriki vekare", muna Sat: Mimhanzi tsika yenyika yekare, L., 1937; Gombosi O., Tonarten und Stimmungen der antiken Musik, Kph., 1939; Ursprung O., Die antiken Transpositionsskalen und die Kirchentöne, “AfMf”, 1940, Jahrg. 5, H. 3, S. 129-52; Dzhudzhev S., Dzidziso pamimhanzi yeBulgarian folk, vol. 2, Sofia, 1955; Husmann, H., Grundlagen der antiken und orientalischen Musikkultur, B., 1961.

Yu. H. Kholopov

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