Symmetrical frets |
symmetrical frets - frets, zviyero zvaro zvakabva pane kupatsanurwa kwakaenzana kweoctave. Kufanana nemamwe mafaro, S.l. dzinovakwa pahwaro hweimwe nzvimbo. element (yakapfupikiswa seEC). Zvisinei, kusiyana, semuenzaniso, kubva kune makuru kana maduku, S. l. akaumbwa kwete pahwaro hwehutatu hudiki kana hutatu, asi pahwaro hwekonsonanti (kana hukama hwepakati) hunobva mukukamurwa kwemasemitoni gumi nemaviri kuita 12, 2, 3 kana 4 zvikamu zvakaenzana. Saka 6 mikana - 4: 12, 6: 12, 4: 12, 3: 12 uye, maererano, 2 huru. mhando S. l. Vanotumidzwa maererano neEC yavo (sezvinongoita mukuru anotumidzwa zita rayo CE - matatu matatu): I - yakazara-toni (CE 4: 12 = yakazara-tone matanhatu-tone); II - yakaderedzwa, kana yakaderera-frequency (CE 6: 12 = smart yechinomwe chord); III - yakawedzera, kana yakakura terts (CE 4: 12 = yakawedzera katatu); IV - tritone (kana kaviri mode, izwi reBL Yavorsky) (CE 3: 12 = tritone). Zvichienderana zvakananga. zvimiro zveyero III uye IV marudzi efrets akakamurwa kuita akati wandei. subtypes. Sezvineiwo divi rinobvira kupatsanurwa. 2:12 inopa rumwe rudzi rweS. l. (V) - kudzikisira, asi isina pfuma. maumbirwo uye nokudaro akamira akaparadzana. Pivot tafura S. l.:
Theoretical S. tsananguro yel. gamuchira zvinoenderana nekunaka. tsika dzedzidziso yezviyero, izvo zvinovaisa mukubatana kwechisikigo nemamwe marudzi emodal masisitimu - maitiro eiyo huru-diki system uye Middle Ages. frets. Tsananguro yakajairika kune vese ndeyekuti mhando yega yega yemodhi, zvichienderana neEC yayo, inoenderana neimwe yenhamba yekufambira mberi inozivikanwa kubva kare - arithmetic, harmonic uye geometric. Nhamba dzenhamba dzakagadzirwa navo, dzinopa CE yeimwe neimwe yeaya masisitimu, inopihwa maererano neiyo coefficients yenhamba. kuchinja-chinja.
Mienzaniso yekushandisa S. l. mumimhanzi litre-re (nhamba dzinoratidza nhamba dzeS. l. mumuenzaniso wemimhanzi):
1. MI Glinka. "Ruslan uye Lyudmila", chiyero cheChernomor. 2. NA Rimsky-Korsakov. "Sadko", 2nd pendi. 3. NA Rimsky-Korsakov. "Golden Cockerel", jongwe rinorira (nhamba 76, mbariro 5-10). 4. NA Rimsky-Korsakov. "Snow Maiden", Leshy's theme (nhamba 56-58). 5. AN Cherepnin. Kudzidzira piyano. op. 56 no 4. 6. IP Stravinsky. "Firebird" (nhamba 22-29). 7. KANA Stravinsky. "Parsley", dingindira rePetroshka (ona muArt. Polyaccord). 8. SV Protopopov. "Crow neCancer" yezwi nepiyano. 9. O. Mesiya. "20 maonero ...", Kwete 5 (ona chinyorwa Polymodality). 10. AK Lyadoi. "Kubva Apocalypse" (nhamba 7). 11. O. Mesiya. L'Ascension yenhengo, 4th kufamba. 12. A. Webrn. Kusiyana kwefp. op. 27, 4th chikamu (ona muArt. Dodecaphony).
Onawo zvinyorwa Tritone modhi, Yakawedzera modhi, Yakaderedzwa modhi, Yese-toni modhi.
S. l. - imwe yemhando dzemaitiro (modality) pamwe nepentatonic, diatonic, decomp. mhando yakaoma frets. S. l. yakamurwa kubva kune akajairwa eEuropean masisitimu makuru uye madiki (mapreforms esl ari transposing sequences, yakaenzana-tert kutenderera kwematoni, figuration, uye anharmonicity yeequal-interval consonances). Mienzaniso yekutanga yeS. dzinongoitika mumasikirwo (yekutanga, pamberi pe1722, mune sarabande ye3rd English suite yeJS Bach, bars 17-19: des2 (ces2)-bl-as1-g1-f1-e1-d1-cis1. Kushandiswa kweC L. senzira yakasarudzika yekutaura yakatanga muzana ramakore re19 (yakawedzera modhi uye yakazara-toni chiyero mubass Sanctus yehukuru Es-dur naSchubert, 1828; yakawedzera modhi uye yakazara-toni chiyero mubass muOpera Mwari uye Bayadere rakanyorwa naAuber, 1830, muna 1835 post muSt. Dargomyzhsky, NA Rimsky-Korsakov, PI Tchaikovsky, AK Lyadov, VI Rebikov, AN Skryabin, IF Stravinsky, AN Cherepnin, uyewo SS Prokofiev, N. Ya. Myaskovsky, DD Shostakovich, SV Protopopov, MIVerikovsky, SE Feinberg, AN Alexandrov nevamwe. vanyori veS.l. F. Liszt, R. Wagner, K. Debussy, B. Bartok akataura; kunyanya zvakafara uye zvakadzama S. l. yakagadzirwa naO. Messiaen. Mumhanzi S.'s dzidziso yel. pakutanga zvakatsanangurwa semamodhi akasarudzika (somuenzaniso, muG. Kapellen, 1908, "Mumhanzi weChinese wakazara" wakaratidzwa pamasampuli akaumbwa nemunyori se "exoticism yakanyanyisa"). MuRussia theoretical musicology tsanangudzo yekutanga yeS. (pasi pezita rekuti "denderedzwa" modulating sequences, "madenderedzwa" ezvikuru uye madiki muzvitatu) ndezvaRimsky-Korsakov (1884-85); yekutanga theoretical S. tsananguro yel. yakatsanangurwa naBL Yavorsky pakutanga. 20th century Kubva kunze kwenyika. theorists theory of S. l. yakagadzirwa zvakanyanya naMesiaen ("Modes of Limited Transposition", 1944) uye E. Lendvai ("System of Axes", pamuenzaniso wemimhanzi yaBartok, 1957).
References: Rimsky-Korsakov NA, Inoshanda bhuku rekubatana, St. Petersburg, 1886, zvakafanana, Poln. coll. soch., vol. IV, M., 1960; Yavorsky BL, Chimiro chekutaura kwemimhanzi, zvikamu 1-3, (M., 1908); Kastalsky AD, Zvimiro zvevanhu-Russian musical system, M. - Pg., 1923, 1961; AM, A. Cherepnin (notography), "Contemporary Music", 1925, No 11; Protopopov SV, Zvimiro zvechimiro chekutaura kwemimhanzi, zvikamu 1-2, M., 1930; Tyutmanov IA, Zvimwe zvinhu zve modal-harmonic style yeHA Rimsky-Korsakov, mubhuku: Sainzi uye methodological manotsi eSaratov state. Conservatory, vol. 1-4, Saratov, 1957-61; Budrin B., Mimwe mibvunzo yeRimsky-Korsakov's harmonic mutauro muma opera muhafu yekutanga ye90s, Proceedings of the Department of Music Theory of the Moscow Conservatory, vol. 1, 1960; Sposobin IV, Hurukuro pakufamba kwekuwirirana, M., 1969; Kholopov Yu. N., Symmetric modes mune theoretical masisitimu eYavorsky naMesiaen, mubhuku: Music and Modernity, vol. 7, M., 1971; Mazel LA, Matambudziko echinyakare kuwirirana, M., 1972; Tsukkerman VA, Mimwe mibvunzo yekubatana, mubhuku rake: Musical-theoretical essays and etudes, vol. 2, M., 1975; Capellen G., Ein neuer exotischer Musikstil, Stuttg., 11; yake, Fortschrittliche Harmonie- und Melodielehre, Lpz., 1906; Busoni F., Entwurf einer neuen Дsthetik der Tonkunst, Triest, 1908 (shanduro yechiRussian: Busoni F., Sketch of a new aesthetics of musical art, St. Petersburg, 1907); Schönberg A., Harmonielehre.W., 1912; Setacio1911i G., Note ed appunti al Trattato d'armonia di C. de Sanctis…, Mil. – NY, (1); Weig1923 B., Harmonielehre, Bd 1-1, Mainz, 2; Hbba A., Neue Harmonielehre…, Lpz., 1925; Messiaen O., Technique de mon langage musical, v. 1927-1, P., (2); Lendvai E., Einführung in die Formenund Harmoniewelt Bartoks, in: Byla Bartuk. Weg und Werk, Bdpst, 1944; Reich W., Alexander Tcsherepnin, Bonn, (1957).
Yu. H. Kholopov
