Resonance |
Music Terms

Resonance |

Zvikamu zveduramazwi
mazwi uye pfungwa

French resonance, kubva lat. resono - ndinonzwika mukupindura, ndinopindura

An acoustic phenomenon umo, semugumisiro wesimba rekuzunguzika kwemumwe muviri, unonzi vibrator, mune mumwe muviri, unonzi resonator, vibrations yakafanana mu frequency uye pedyo muamplitude inoitika. R. inonyatso kuratidzwa pasi pemamiriro ekugadzirisa kwakanyatsoita resonator kune vibration frequency ye vibrator uye ine yakanaka (ine yakaderera simba kurasikirwa) kutapurirana kwekudengenyeka. Pakuimba nekuridza mumhanzi. R. inoshandiswa pazviridzwa kukwidziridza ruzha (nekusanganisira nzvimbo yakakura yemuviri weresonator mukudengenyeka), kushandura timbre, uye kazhinji kuwedzera nguva yekurira (sezvo resonator mune vibrator-resonator. sisitimu inoshanda kwete chete semuviri unoenderana nevibrator, asiwo semuviri wakazvimirira unotenderera, une timbre yayo uye humwe hunhu). Chero vibrator inogona kushanda se resonator, zvisinei, mukuita, zvakakosha zvakagadzirirwa. resonators, yakakwana muhunhu hwavo uye inoenderana nezvinodiwa zvemimhanzi. zvinodiwa chiridzwa (maererano nenzwi, vhoriyamu, timbre, nguva yekurira). Kune maresonator mamwe anopindura kune imwe frequency (resonating tuning fork stand, celesta, vibraphone resonators, nezvimwewo), uye akawanda resonators (fp decks, violin, nezvimwewo). G. Helmholtz akashandisa chiitiko cheR. kuongorora timbre yemanzwi. Akatsanangura achibatsirwa naR. kushanda kwenhengo yekunzwa kwevanhu; maererano nefungidziro yake, inonzwisiswa nenzeve inochinja-chinja. mafambiro anonyanya kufadza iwo maCorti arches (ari mukati menzeve), to-rye anotariswa kune frequency yeruzha rwakapihwa; nokudaro, maererano nedzidziso yaHelmholtz, musiyano uri pakati pemanzwi nenzwi wakavakirwa pana R. Shoko rokuti “R.” inowanzo shandiswa zvisizvo kuratidza acoustical zvimiro zvenzvimbo (panzvimbo pemazwi okuti “reflection”, “absorption”, “reverberation”, “dispersion”, etc. anoshandiswa muarchitectural acoustics).

References: Mimhanzi acoustics, M., 1954; Dmitriev LB, Zvinokosha zvemaitiro ezwi, M., 1968; Heimholt "H. v., Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik, Braunschweig, 1863,” 1913 (shanduro yechiRussian - Helmholtz G., Dzidziso yekunzwa kwekunzwa sehwaro hwehupenyu hwedzidziso yemimhanzi, 1875 St. ; Schaefer K., Musikalische Akustik, Lpz., 1902, S. 33-38; Skudrzyk E., Die Grundlagen der Akustik, W., 1954 Onawo lit. kune chinyorwa Mimhanzi acoustics.

Yu. N. Rags

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