Neapolitan yechitanhatu chord |
Shona wetanhatu neapolitan, нем. Neapolitan wechitanhatu chord, Neapolitan wechitanhatu, чеш. neapolsky sextakord, frygicky sextakord
Chechipiri yakaderera yechitanhatu chord (kana diki subdominant ine diki yechitanhatu pane yechishanu). Izwi rokuti "N. Pamwe.” inobatanidzwa nemaitiro ekushandiswa kweiyi chord pakati pevanyori veNeapolitan opera chikoro con. 17th century (kunyanya, naA. Scarlatti, semuenzaniso, mune opera Rosaura). Zvisinei, izwi racho rine zvimiso, sezvo H. s. yakaonekwa kare pamberi pechikoro cheNeapolitan (naJ. Obrecht, 2nd hafu yezana remakore rechi15).
Я. Akabva asveerera. Misa "Salva diva parens", Credo, Confiteor, takty 34-36.
Inoshandiswa zvakanyanya nevanyori venyika dzakasiyana-siyana uye vanhu (somuenzaniso, naL. Beethoven). Munyori wezwi rokuti “N. s”, zvichida, ndiL. Busler (1868), kunyange zvazvo pane humbowo (X. Riemann) pamusoro pekushandisa kwayo Chirungu kwenguva refu. theorists (mumazwi echiRungu mune mamwe matatu "sexts": "Italian" - a chord like as-c-fis, "French" - as-cd-fis uye "German" - as-c-es-fis). Mune inonzwika system yeiyo huru-diki harmonic. tonality, nhanho dzose dzakafukidzwa neketani yezvikamu gumi neshanu (kubva pakati tonic. zvishanu - 11 pasi uye 5 kumusoro), chimiro chezwi cheN. ne. - II yakaderera dhigirii - inowanikwa nekudzika kukuru kwakananga kumafurati (uye naizvozvo iri girazi-rinopesana neimwe inokosha isiri-diatonic inzwi - "Lydian" high IV degree; ona Inlination.) Nokudaro iyo yakakora-yakasviba mumvuri hunhu hwe iyo modal (Phrygian) ruvara rweN. s. (ruvara rwakatonyanya kusviba runowanikwa mushanduro diki yeN. ine, semuenzaniso, fes-as-des muC-dur kana c-moll). Inoshanda N. pamwe. - iyo "yakanyanya" subdominant, muganhu wekufamba munzira iyi (izvo zvinoita kuti zvikwanise kushandisa iyo N. s. sechinhu chakakosha chekusimudzira kunoenderana; ona, semuenzaniso, kuguma kwe c-moll passacaglia yeJS Bach's. nhengo).
JS Bach. Passacaglia mu c-moll yenhengo.
Mukati megadziriro ye7-nhanho diatonic kana gumi-nhanho huru-diki system, semuenzaniso, ine tonic C - masisitimu:
ruzha rwe II low level, iro rakazove kunze kweiyo main. matanho, aifanira kunge akatsanangurwa sekuchinja, kwete-diatonic mubatsiri sekukwereta kubva pachiyero cheimwe kiyi (diki subdominant) kana kubva kune imwe modhi (Phrygian) ine tonic yakafanana (ona ongororo yemabhuku mubhuku raVO Berkov). Mn. vatsvakurudzi vakanyatsodudzira N. yepeji. vanozvimiririra sei. kuwirirana, uye kwete sechromatically modified (altered) chord (O. Savard, R. Louis, L. Thuil, nezvimwewo). Maererano nekucherechedza kweVO Berkov, mumhanzi. pane dzinenge pasina mienzaniso N.'s dzidzo mukuita. imwe nzira. Tsanangudzo yakarurama zvikuru yeN. s. sekuwirirana kusina kuchinjwa kwegumi nembiri-sound modal system ("chromatic", maererano naGL Catuar; "gumi nemaviri-sound diatonic", maererano neAS Ogolevets). Pamusoro peN. s, “Neapolitan” kuwirirana (Czech frygicke akord)
L. Beethoven. 3rd symphony, kufamba I.
rinoshandiswa semutatu (L. Beethoven, sonata op. 57, chikamu 1, vhoriyamu 5-6), quarter-sext chord (F. Liszt, 1st concerto, vol. 4), yechinomwe chord (uyewo mukutenderera) uye kunyange inzwi rakasiyana.
L. Beethoven. Concerto yeviolin uye orchestra, chikamu I.
References: Rimsky-Korsakov N., Rinoshanda bhuku rekubatana, St. Petersburg, 1886, zvakafanana, Poly. coll. so., vol. IV, M., 1960; Catuar G., Theoretical course of harmony, chikamu 1, M., 1924; Ogolevets AS, Nhanganyaya yemafungiro emimhanzi yemazuva ano, M. - L., 1946; Berkov V., Harmony uye chimiro chemimhanzi, M., 1962, pasi pemusoro unoti: Formative means of harmony, M., 1971; Riemann H., Vereinfachte Harmonielehre oder die Lehre von den tonalen Funktionen der Akkorde, NY – L., 1893 Reger M., Beiträge zur Modulationslehre, Münch., 1896, 1901 (mushanduro yechiRussian - O, 1903 modulation). Schenker H., Neue musikalische Theorien und Phantasien, Bd 1922, B. – Stuttg., 1926, W., 1; Handke R., Der neapolitanische Sextakkord in Bachscher Auffassung, in Bach-Jahrbuch, Jahrg. 1906, Lpz., 1956; Montnacher J., Das Problem des Akkordes der neapolitanischen Sexte…, Lpz., 16; Piston W., Harmony, NY, 1920; Stephani H., Stadien harmonischer Sinnerfüllung, "Musikforschung", 1934, Jahrg. 1941, H. 1956; Janecek K., Harmonie rozborem, Praha, 9.
Yu. H. Kholopov
