Exposure |

ekisiposha (lat. expositio - presentation, display, from expono - lay out, flaunt) - basa rezvikamu zvemuses. mafomu emimhanzi. pfungwa (kana mumhanzi pfungwa), mukupesana nebasa rekuvandudza, kubatanidza, kutsiva, nezvimwe zvikamu; zvakare zita rezvikamu zvinoenderana mufugue, sonata fomu, rondo sonata (muchikamu chekutanga chekonsati mune kaviri E.; onawo Musical Form, Development, Reprise, Coda). E. anoita yekutanga. kuratidza dingindira (mu fomu yesonata - dingindira guru). Kune E. tsananguro dzenguva dzose. maficha ekuwirirana, thematic uye general dhizaini, ayo pamwechete anoumba maratidziro. rudzi rwemhanzi yemhanzi. zvinhu (maererano neIV Sposobin). Chiratidzo chikuru cherudzi urwu "kugadzikana kweunhu uye hupfumi hwemari" (IV Sposobin, "Musical Form", 1, p. 1947): 30) tonal kubatana uye harmonic. kugadzikana nekuchinja kunoshanda kwechords; 1) thematic. unity; 2) kutendeseka kwemaitiro, kuvapo kwezvivakwa zvakabatana (chirevo, nguva). General principles of exposure. mhando yemharidzo inoshandiswa zvakasiyana mu decomp. mafomu emimhanzi (somuenzaniso, nguva yekutanga mune yakapfava yezvikamu zvitatu, E. fugue, E. sonata fomu) uye decomp. zvitayera (dzimwe nzira muViennese classics, vamwe mukupedzisira romantics, uye zvimwewo mumhanzi wetonal wezana ramakore rechi3). Exposure samples. expositions: JS Bach, The Well-Tempered Clavier, Volume 20, Fugue muG Minor, mbariro 2-1; L. Beethoven, 24th symphony, 5st kufamba, mabara 1-1; SS Prokofiev, 44th sonata ye pianoforte, 9st kufamba, mabara 1-1; P. Hindemith, "Ludus tonalis", fugue muC, mabara 20-1; KANA Stravinsky, "Merry branle" kubva ku ballet "Agon", mbariro 11-310; A. Berg, Wozzeck, chiito 319, chiitiko 2, mabara 5-761; A. Webern, “Chiedza cheMeso” op. 768, mbariro 26-8; RK Shchedrin, sonata ye pianoforte, 13st kufamba, mabara 1-1.

References: ona paArt. Mumhanzi fomu.

Yu. N. Kholopov