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Resolution - Kudonha kwemagetsi panguva yekuchinja kubva ku dissonance kuenda ku consonance, kubva kuharonic. kusagadzikana kwekushanda (D, S) kusvika pakugadzikana (T), kubva kune imwe isina-chord inzwi kusvika kune imwe, pamwe chete neshanduko yakadaro pachayo. Kutevedzana kwemamiriro emakakatanwa uye kusunungurwa kwemakakatanwa kunoonekwa seruremekedzo rwunopa kugutsikana, uye runobatanidzwa neshanduko kune imwe inonakidza, kune mafaro. Saka iyo aesthetic kukosha kweR. uye inoenderana aesthetic. mabasa emanzwi-makakatanwa uye manzwi-R. (dzinochengetedzwawo nekurukwa kwayo kwakasiyana). Kuenderera mberi kwemafungu-sekushanduka-shanduka kwekutambudzika uye R. kwakafanana nekufema kwechinhu chipenyu, systole uye diastole. R. yakatsunga. matauriro emazwi (somuenzaniso, kufamba kwenzwi renhanganyaya richienda kumusoro kune tonic yepakutanga, ruzha rusiri rwekuridza muruzha rwuri pedyo). Kunyanya kukosha pano ndeyekufamba kwesekondi (huru nediki), nekuti. iyo zvakakwana "inodzima trace" yezwi rakapfuura. Zvakangodaro, pasi pemamiriro eyakagadziridzwa harmonic R. uye isiri-yechipiri kufunga zvinogoneka (PI Tchaikovsky, "Francesca da Rimini", ekupedzisira mabara). Inoenderana naR., asi isina kufanana naye, coloristic. kubviswa kwe-quasi-dominant tension (Des7> - Des) muF. Chopin's nocturne b-moll op. 9 Kwete 3. R. inopa pfungwa yeinobvumira consonance uye tarisiro yayo. Inonyanya kufanana nemimhanzi yezvikuru-zvidiki system (kuumbwa kwayo kwakatanga pakati pezana ramakore rechi 15, kutonga kwayo kwaive mu17th-19th century; yakawanda yakapona kusvika muzana ramakore rechi20). Wed-century. monody R. senguva yekugadzira ndeyemutorwa (musimboti, mhedzisiro yekukakavadzana uye kubuda inodziviswa mairi, pasina iyo R. isingasviki). Mune polyphony, chikamu cheR. chinogadziriswa senzira yekuisa pasi dissonance kune consonance. Polarization yavo, kunyanya polarization yekushanda kugadzikana uye kusagadzikana, yakagadzira mamiriro ekushanda kweR. uye maonero ayo akaoma (kunyange F. Couperin akadana nzira yeR. izwi rokuti "se sauver", chaizvoizvo - kuponeswa).

Iko kuwirirana kwezvikamu "makakatanwa" - "resolution" inogona kuendeswa kune zvivakwa zvezviyero zvakakura (semuenzaniso, kune isina kugadzikana yepakati kana budiriro uye kudzokorora "kugadzirisa" kusawirirana kwayo); muchiitiko ichi, R. mhedzisiro inowana chirevo chakafara, ichikurudzira kuumbwa. Munguva yerudo (uye muzana ramakore rechi20), mafomu matsva erwiyo akagadzirwa (kunyanya, asina kukwana R., pamwe neR., zvichibva kune rimwe divi rekunetsana kweharmonic; semuenzaniso, muChopin's mazurka muC-dur. op.24 No 2 inoburitsa chord inogadzirisa inoitwa nekuenzanisa ese ari matatu matatu: T, D uye S, nepo maviri awo - T uye D, T uye S - asingazvizive). Mumimhanzi yezana remakore rechi20 mutsva wakazviratidza, kunyanya, mukuputsa polarity ye dissonance uye consonance, panzvimbo iyo iyo yakawanda-stage gradation ye dissonance yakasimbiswa (inoretically, muna A. Schoenberg, P. Hindemith; mune yekupedzisira, "harmonisches Gefälle" - "kugadzikana kwakanaka"). Kutenda kune yakaoma (dissonant) tonics, zvakazove zvichigoneka kugadzirisa dissonance yakasimba kuita isinganyanyi kusimba uye kutsiva iyo dissonance-consonance shanduko neakawanda-nhanho shanduko kubva kune yakasimba dissonance kuenda kune yakasimba consonance, pamwe ne tungamira, semuenzaniso, tonic ruzha. prima into a chord chikuru chechinomwe (kupesana netsika yegiravhiti, ona - SS Prokofiev, Fleeting, No 14, bars 24-25), mukati gadzirisa tonic. consonance (Prokofiev, Sarcasms, No 3, mbariro dzekupedzisira).

References: Rohwer J., Das “Ablösungsprinzip” in der abendländischen Musik…, “Zeitschrift für Musiktheorie”, 1976, H. 1. Onawo lit. pasi pezvinyorwa Harmony, Dissonance, Dominant, Lad, Subdominant.

Yu. N. Kholopov