Affect theory |
Music Terms

Affect theory |

Zvikamu zveduramazwi
mazwi uye pfungwa

BASA DZIDZISO (kubva ku lat. affectus - manyawi emanzwiro, chido) - mimhanzi uye aesthetic. pfungwa yakapararira muzana remakore rechi18; maererano nedzidziso iyi, iyo huru (kana kunyange iyo chete) zvirimo mumimhanzi kutaura, kana "mufananidzo", munhu. manzwiro, zvido. A. t. yakabva kune yekare (Aristotle) ​​uye Middle Ages. aesthetics (“Musica mott affectus” – “Mumhanzi unofambisa zvishuvo,” akadaro Akaropafadzwa Augustine). Basa rinokosha mukuumbwa kweA. t. yakaridzwa neuzivi hwaR. Descartes - chinyorwa chake "Emotional passions" ("Les passions de l'vme", 1649). Kuiswa kukuru kweA. t. zvinorongwa naI. Mattheson. "Zvinogoneka kunyatsoratidza nerubatsiro rwezvishandiso zviri nyore hukuru hwemweya, rudo, godo. Unogona kuburitsa mafambiro ese emweya nemazwi akareruka kana mhedzisiro yawo, "akanyora muThe Newest Study yeSingspiel ("Die neueste Untersuchung der Singspiele", 1744). Iyi gadziriro yeruzhinji yakagadziriswa nenzira yetsanangudzo yakadzama (kazhinji inowanzoitika) yezvaizotaura. Kuburikidza nemutinhimira, mutinhimira, kutsinhirana, kunzwa kumwe kana kumwewo kunogona kupiwa. Kunyange J. Tsarlino ("Istitetioni harmoniche", 1558) akanyora nezvekubatana nezvimwe zvinokanganisa decomp. intervals uye makuru uye madiki matatu matatu. A. Werkmeister (mukupera kwezana ramakore rechi 17) akawedzera mhatsa yemhatsa ine chokuita nezvimwe zvinokanganisa. zvinoreva, kupinza mairi tonality, tempo, dissonance uye consonance, rejista. Kubva pane chirevo chaV. Galilee, munyaya iyi, matambo uye kukwanisa kuita zvezviridzwa zvakaonekwawo. Mumabasa ose akadaro zvinokanganisa pachazvo zvairongwa; A. Kircher muna 1650 ("Musurgia universalis") ine 8 yemhando dzavo, uye FW Marpurg muna 1758 - yatova 27. Mubvunzo wekugara uye kuchinja kwezvinokanganisa wakaonekwawo. Vazhinji vatsigiri veA.T. aitenda kuti miziyamu. basa rinogona kuratidza kukanganisa kumwe chete, kuratidza mukuora. zvikamu zvekuumbwa kwemagradations ayo uye mimvuri. A. t. yakagadziridzwa chikamu seyakajairwa yemaitiro ari kubuda muItaly, French. uye chiGerman. music ser. Muzana remakore rechi18, chikamu chaiva chekunaka. kutarisira kwe "sensitive" nhungamiro mumimhanzi. kusika 2nd floor. Zana remakore rechi18 (N. Piccinni, vanakomana vaJS Bach, JJ Rousseau nevamwe). A. t. yakanamatira kune vakawanda. vaimbi vakuru, vazivi, aesthetics venguva iyoyo: I. Mattheson, GF Telemann, JG Walter (“Musical Lexicon”), FE Bach, II Kvanz, chikamu GE Lessing, Abbot JB Dubos, JJ Rousseau, D. Diderot (“Muzukuru waRamo ”), CA Helvetius (“Papfungwa”), AEM Grétry (“Memoirs”). Mu 2nd floor. Muzana remakore rechi18 A. t. inorasikirwa nesimba rayo.

Kudzivirira musimboti wezvakasikwa. uye manzwiro echokwadi. kutaura kwemimhanzi, vatsigiri veA.T. yaipikisa nhete yehunyanzvi, inopesana neGerman yakatsiga. chikoro checlassicist, chinopesana nechikwata kubva kune chepasi, chinowanzorimwa munziyo dzeKatorike. uye evhangeri. chechi, pamwe nokupesana nemafungiro. aesthetics, iyo yakaramba dzidziso yekutevedzera uye yakatsvaga kuratidza "kusanzwisisika" kwemanzwiro uye zvido zvemuses. zvinoreva.

Panguva imwecheteyo, A. t. yairatidzirwa nekaganhuriro, migariro yemichina. Kuderedza zviri mumhanzi kutaura kwezvishuvo, iye akazvidza kukosha kwehungwaru chinhu chiri mairi. Kufunga zvinokanganisa sekufamba kwemweya kwakafanana kuvanhu vese, A. t. Vaimbi vakarerekera kuti vataure mamwe marudzi akajairwa emanzwiro, uye kwete maratidziro avo ega ega. Kuedza kuronga nguva, makiyi, rhythms, tempos, etc. maererano nemanzwiro-kutaura kwavo. mhedzisiro yaiwanzo tungamira kune schematism uye kudivi rimwe.

References: Дидро D., Племянник Рамо, Избр. соч., пер. с франц., т. 1, M., 1926; Маркус S., История музыкальной ESTетики, ч. 1, M., 1959, гл. II; Wаlthеr JG, Musikalisches Lexikon, Lpz., 1732; Mattheson J., The Perfect Conductor, Kassel, 1739; Bach C. Ph. Em., Chinyorwa cheUnyanzvi Hwechokwadi Hwokuridza Piano, Tl 1-2, В., 1753; Rousseau J.-J., Dictionnaire de musique, Gиn., 1767, P., 1768; Engel JJ, nezve runyoro rwemimhanzi, В., 1780; Gretry A., Mйmoires, ou Essais sur la musique, P., 1789, P., 1797; Marx A. В., Pamusoro pekupenda mumimhanzi, B., 1828; Kretzschmar H., Mazano matsva ekusimudzirwa kwemumhanzi hermeneutics, mutsara aesthetics, в сб.: «JbP», XII, Lpz., 1905; его же, general uye kunyanya kune dzidziso yezvinokanganisa, I-II, там же, XVIII-XIX, Lpz., 1911-12; Schering A., The Music Aesthetics of the German Enlightenment, «SIMG», VIII, B., 1906/07; Goldschmidt H., The Music Aesthetics ye18th Century, Z., 1915; Schцfke R., Quantz seaesthetician, «AfMw», VI, 1924; Frotscher G., Bach's thematic formation pasi pesimba redzidziso yezvinokanganisa. Taura nezve 1925st Musicological Congress muLeipzig. 1926, Lpz., 1700; Seraukу W., The aesthetics yekutevedzera mimhanzi munguva ye1850-1929, University Archive XVII, Mьnster i. W., 1955; Eggebrecht HH, Nheyo yekutaura mudutu remimhanzi uye kukurudzira, "German Quarterly Journal for Literary Studies uye Intellectual History", XXIX, XNUMX.

KK Rosenshield

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