Repercussion |
Music Terms

Repercussion |

Zvikamu zveduramazwi
mazwi uye pfungwa

kubva lat. repercussio - kufungisisa

1) Mudzidziso yefugue muchimiro chakasimba (J. Fuchs nevamwe), zvinotevera mushure mekuratidzwa, kubatwa kwedingindira uye mhinduro mumanzwi ese (German Wiederschlag, zweite Durchführung), kuburitswa kwechiratidziro ne. contrapuntal. shanduko, genus polyphonic. misiyano pakufumurwa (mune zvemazuva ano musicology, izwi harishandiswe; iyo pfungwa ye "R." iri kusvika kune iyo pfungwa ye fugue counter-exposure). Inzwi rakapa musoro mukutsanangura rinopiwa mhinduro muna R. (uye neimwe nzira); dingindira nemhinduro muR. zvinosumwa (kazhinji padissonance) mushure mekumbomira kana nekusvetuka pamusoro penguva yakakura, kuitira kuti korasi iri kuuya. inzwi rakanzwika mune imwe rejista yehuwandu hwayo; muR., kushandurwa kwedingindira kunogoneka (semuenzaniso, kuwedzera, kutendeuka), kushandiswa kwe stretta (kazhinji ine simba shoma pane chikamu chinotevera chechimiro), uye dzimwe nzira dzekusimudzira nekusiyana. R. kazhinji anotevera kuratidzwa pasina caesura; R. uye chikamu chekupedzisira chechimiro (reprise, final stretta, die Engführung) inowanzoparadzaniswa necadenza. Ona, semuenzaniso, Buxtehude's Toccata uye Fugue yeOrgan muF-dur: exposition - bars 38-48; R. - mbariro 48-61; anopedzisa. chikamu kubva pachiyero 62. Mune fugues huru, panogona kunge kune akati wandei. R.

2) Mukuimba kwaGregorian, mushure mekupedzisira, iyo inonyanya kukosha toni yereferensi ndiyo modhi, ruzha, umo melodic inonangana. tension (inonziwo tenor, tuba). Inoratidzika kakawanda kupfuura mamwe manzwi; munziyo zhinji dzepisarema. hunhu, kudzokororwa kwenguva refu kunoitwa pairi. Iyo iri pamusoro peiyo yekupedzisira, yakaparadzaniswa kubva pairi nepakati inotsanangurwa mune imwe neimwe yemodhi (kubva padiki yechitatu kusvika padiki yechitanhatu). Main the tok yemodhi (finalis) uye R. sarudza modal kubatanidzwa kwenziyo: muDorian mode, finalis d uye R, uye muHypodorian mode, d uye f, zvichiteerana, muFrygian mode, e uye c. , nezvimwewo.

References: Fux J., Gradus ad Parnassum, W., 1725 (shanduro yeChirungu - Matanho eParnassus, NY, 1943); Bellermann H., Der Contrapunkt, B., 1862, 1901; Bussler L., Der strenge Satz, B., 1905 Teppesen K., Kontrapunkt, Kbh., 1885, Lpz., 1925. Onawo lit. paArt. Gregorian chant.

VP Frayonov

Leave a Reply