Digital Music Notation System |

Nzira yekurekodha chinyorwa chemimhanzi uchishandisa nhamba (ona Mumhanzi kunyora).

Iko mukana wekushandisa C. s. nekuda kwekukosha muchimiro chenzwi chenhamba dzenhamba, kurongeka kwezvinhu, kufanana pakati pemimhanzi-inoshanda uye nhamba reshiyo. Mune zvimwe zviitiko, C. s. zvinova zvinobatsira kupfuura mamwe masisitimu emimhanzi. zviratidzo. Maererano naC.s. pitch, mita uye rhythm inogona kuratidzwa, dzimwe nguva mamwe ma paramita emimhanzi.

Zvikuru zvakafara C. ne. inoshandiswa kudoma nhanho, kunyanya nguva (1 - prima, 2 - yechipiri, nezvimwewo). SI Taneev akaronga imwe C. s. nguva, umo nhamba dzinoratidza nhamba yemasekondi munguva (prima - 0, yechipiri - 1, yechitatu - 2, nezvimwewo); izvi zvakaita kuti zvikwanise kugadzira dzidziso yemasvomhu chaiyo yepolyphonic. zvinongedzo (ona Movable counterpoint). Nhamba dzechiRoman (dzimwe nguva zvakare dzechiArabic) dzinoshandiswa munhanho yedzidziso yekubatana kuratidza nhanho dziri prima yavo (semuenzaniso, I, V, nVI, III, nezvimwewo), izvo zvinokutendera iwe nyora chords mune chero tonality, zvisinei nehurefu chaihwo hweiyo prima; ChiArabic (dzimwe nguva zvakare chiRoma) manhamba munhanho uye masisitimu ekushanda anoratidza manzwi ezwi rakapihwa (semuenzaniso,

– inotonga yechinomwe chord ine yakakwira yechishanu). Kududzwa kwematanho eoctave (ita, re, nezvimwewo) chiArabic. nhamba dzakagamuchira kumwe kuparadzirwa muchiRussia. chikoro kudzidzira kwaya. kuimba (maererano nedhijitari system yeE. Sheve; ona Solmization): nhanho muavhareji kuimba. octave (1st octave ye treble nealto, diki - yebass uye tenor) - 1, 2, 3, 4, 5, 6, 7 (kumbomira - 0), mune octave yepamusoro - ine doti pamusoro (

nezvimwewo), muoctave yezasi - ine dot pazasi (

etc.); matanho akakwirira -

, kuderedzwa -

. Nhamba dzinoenderana nemanzwi echero kiyi, semuenzaniso. muF mukuru:

(Chiumbwa chine doti rimwe kurudyi chakaenzana nechidimbu chenoti, chine madotsi maviri akaenzana nehafu ine doti, uye ine madonhwe matatu inyoro rose.)

C. s. inoshandiswa mu tablature, general bass, mune tsika yekudzidzira kutamba pane mamwe mabhangi. zviridzwa (domra, balalaika, mutsara miviri chromatic harmonica). Pakudzidza kuridza tambo. zviridzwa zvinoshandisa mutsara wemitsara yakaenzana, nhamba iyo inofananidzwa nenhamba yetambo dzechiridzwa; nhamba dzinonyorwa pamitsetse iyi inoenderana nenhamba dzakatevedzana dzemafrets pafingerboard. Mitsetse inoverengwa kubva kumusoro kusvika pasi. Kurekodha kwakadaro imhando ye digital tablature. Mune zvinyorwa zve harmonica, nhamba dzinowanzoiswa pasi, zvichiratidza nhamba ye ordinal yekiyi inoenderana neichi chinyorwa.

C. s. ubiquitous kuratidza metrorhythmic. zviyero - kubva pazviratidzo zvemesural zvezana remakore rechi14-15. (naF. de Vitry muchinyorwa "Ars nova" pakutsanangura modus perfectus u modus imperfectus) kusvika nhasi. metric zviratidzo. Mupfungwa, classical metrics X. Riemann Ts. rinoshandiswa kureva metric. wachi mabasa:

(apo, semuenzaniso, 4 ibasa remhedziso diki, hafu-cadence; 8 ibasa remhedziso yakazara; 7 ibasa rechiyero chakareruka, chinokwevera zvine simba kune chinotevera, chakaoma kwazvo). Mumimhanzi yemagetsi, nerubatsiro rwenhamba, nheyo dzinogona kunyorwa. mimhanzi parameters - frequency, dynamics, nguva yemanzwi. Mukuita mimhanzi ye serial, nhamba dzinogona kushandiswa, semuenzaniso, kushandura hukama hwepitch kuita rhythmic (ona Seriality), yekubvumidza. Diff. C. s. anoshandiswa kuverenga zvimwe zvine hukama zviitiko, semuenzaniso, zvemunwe.

References: Albrecht KK, Nhungamiro yekuimba kwaya maererano nenzira yedhijitari yeSheve nekushandiswa kwenziyo makumi manomwe dzeRussia uye makumi mana nerimwe ezvikamu zvitatu zvekwaya, kunyanya kuzvikoro zvevanhu, M., 70, 41; Taneev SI, Mobile counterpoint yekunyora zvakasimba, Leipzig, (1867), M., 1885; Galin R., Exposition d'une nouvelle méthode pour l'enseignement de la musique, P., 1909, id., pasi pezita: Méthode du Meloplaste, P., 1959; Chevé E., Méthode élémentaire de musique vocale, P., 1818, 1824; yake pachake, Méthode Galin-Chevé-Paris, Méthode élémentaire d'harmonie, P., 1844; Kohoutek C., Novodobé skladebné teorie zbpadoevropské hudby, Praha, 1854, pasi pezita rekuti: Novodobé skladebné smery v hudbe, Praha, 1846 (shanduro yechiRussian - Kohoutek Ts., Technique of Composition 1962, Mth 1965) .

Yu. N. Kholopov