Figuration |
Music Terms

Figuration |

Zvikamu zveduramazwi
mazwi uye pfungwa

lat. figuratio - mufananidzo, chimiro, mharidzo yekufananidzira, kubva figuro - fomu, chimiro, shongedza, coloize

Imwe yenzira dzekugadzirisa mimhanzi, kuvonga iyo kugadzirwa kwemavara kunoitwa mubasa (ona Texture), F. inzira yakajairika uye inoshanda yekusimbisa jira remimhanzi.

Kune marudzi matatu makuru F. Melodich. F. mune imwe-musoro. uye polyphonic. zvivakwa zvemimhanzi. prod. inosanganisira shanduko yakasiyana ye melodic. mitsetse nenzira yekuvhara chikuru. inzwi. Mune homophonic warehouse, iyi mhando yeF inoratidzwa mukushandiswa kwemanzwi. Muchiitiko ichi, manzwi ekufananidzira anotemerwa nehukama hwavo kune mukuru uye anonzi kupfuura, ebetsero, kuvharirwa, kusimuka, cambites. harmonic F. inofamba inotevedzana kuburikidza neruzha runoumba machords (manzwi ari padhuze nechords anoshandiswawo zvakanyanya). Rhythm. F. ine rhythmic. fomula inodzokorora inzwi kana boka remanzwi uye isingachinji zvakanyanya misisi. logic yekuvaka uku. Idzi mhando dzeF mumhanzi. tsika dzinowanzobatanidzwa, dzichigadzira mhando dzakasanganiswa dzeF., semuenzaniso. rhythmic-harmonic, melodic-harmonic.

F. yagara ichishandiswa mumimhanzi. tsika. Pamatanho ekutanga ekuvandudzwa kwemimhanzi. mhosva dzakashandiswa zvakasiyana. mhando f. - kubva pamufananidzo we primitive rhythmic. zvirongwa uye tsananguro dzakareruka dze modal nheyo kune yakaoma figuration. zvivakwa - nziyo. MuMiddle Ages, F. yakashandiswa munziyo dzeGregorian (yegore negore) uye mukugadzirwa. troubadours, trouvers uye minnesiers. Vatenzi vepolyphony vakashandisa zvinhu zveF (kuvharirwa, kusimudza, uye cambites), pamwe chete nemifananidzo yakawedzerwa. zvivakwa muzvikamu zvekusimudzira zvepolyphonic. mafomu (somuenzaniso, mukuvandudza uye kupindirana kwefugues). F. yakashandiswa zvakanyanya mumhando dze prelude, chaconne, fantasy, uye sarabande. Mienzaniso yemaitiro aF ari muchechi yeByzantine. mimhanzi uye muchiRussia. mabasa ekwaya. 15th-18th century Munguva ye general bass, F. yakapararira mukuita kwe organ and clavier improvisations, kunyange zvazvo theorists of the general bass muzvinyorwa zvavo havana kukoshesa nyaya dzaF. uye vakakurudzira kuti F. ave rinoshandiswa mune rimwe remazwi chete kana rimwe racho richirira. kufamba kunomira. Mune basa reFrench harpsichordists uye Chirungu. mhandara F. akava mumwe wevakuru. nzira dzekuvandudza mimhanzi. zvinhu mu instr. mafomu, kwaaigara achimiririra kuwedzera kwe melismatich. mapoka. Munguva ye classicism, F. yakashandiswa zvakarongeka mu instr. prod. (kunyanya mukusiyana - seyo inonyanya kukosha nzira yekushongedza kwekushongedza), uye mu wok. (mu opera arias uye ensembles) zvose mumimhanzi yenyika uye mumhanzi wechechi (mumativi akasiyana evanhu vakawanda, muRussia - muchitendero chinoshanda naDS Bortnyansky, MS Berezovsky, nezvimwewo). Mubasa revanyori verudo, maererano neshanduko yemafungiro emodal, zvirevo zvaiwanzozadzwa nechromaticism. Mumhanzi vanoti ve 20 century. F. anoshandiswa mu decomp. mafomu, zvichienderana nemaitiro emunhu emunyori, pahunyanzvi chaihwo. mabasa.

References: Catuar G., Theoretical course of harmony, chikamu 2, M., 1925; Tyulin Yu., Nhungamiro inoshanda yesumo yekuongorora kunoenderana nekwaBach's chorales, L., 1927; yake, Parallelisms in musical theory and practice, L., 1938; yake pachake, Dzidziso yekugadzirwa kwenziyo uye melodic figuration, bhuku. 1 - Mumhanzi manyorerwo, M., 1976, bhuku. 2 – Melodic figuration, M., 1977; Rudolf L., Harmony, Baku, 1938; Mazel L., O melody, M., 1952; Karastoyanov A., Polyphonic kuwirirana, M., 1964; Uspensky H., Unyanzvi hwekare hwekuRussia hwekuimba, M., 1965, 1971; Kurth E., Grundlagen des linearen Kontrapunkts.., Bern, 1917, B., 1922 Tosh E., Melodielehre, V., 1931 (shanduro yeRussian - Toh E., Kudzidzisa nezve melody, M., 1923); Schmitz H.-P., Die Kunst der Verzierung im 1928 Jahrhundert Instrumentale und vokale Musizierpraxis in Beispielen, Kassel, 18; Ferand E., Die Improvisation in Beispielen aus neuen Jahrhunderten abendlandischer Musik Mit einer geschichtlichen Einführung, Köln, 1955; Szabolcsi B., A meludia türténete Vazlatok a zenei stilus m'ltjbbul 1956 kiadbs, Bdpst, 2 (shanduro yeChirungu – A history of melody, NY, 1957); Apel W., Gregorian chant, Bloomington, (Indianapolis), 1965; Ghominski J., Historia harmonii uye kontrapunktu, t. 1958, Kr., 1, Paccagnella E., La formazione del languaggio musicale, pt. 1958. Il canto gregoriano, Roma, 1; Wellesz E., Melody kuvaka muByzantine chant, Belgrade-Ochride, 1961; Mendelsohn A., Melodia si arta onvesmontarn ei, Buc., 1961; Arnold R., Inyanzvi yekuperekedza kubva kune thoroughbass, sezvakaitwa mu1963th uye 1th mazana emakore, v. 2-1965, NY, XNUMX.

EV Gertzman

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